Inspired by the social and political happenings that emerged throughout the late twentieth century and into the twenty-first and the forms of artistic expression and protest produced by collectives such as the Atelier Populaire, Berkeley Poster Workshop and British Underground Press, my work holds a particularly political and social curiosity.

Furthermore, the social and political uprisings that inspired change such as the youth uprisings, feminist waves and the civil rights movements provides a conceptually rich focus within my practice. Print culture, in all its forms, holds an especially important role in my studio work, using forms of print such as books, magazines, newspapers and other forms of information dissemination as repurposed canvases.

Taking inspiration from Coral Woodbury, BANK Art Collective and Rirkrit Tiravanija my work combines imagery and text to confront social issues whilst maintaining a relationship between the canvas and the work to create a working narrative between the two.

To display such politically driven pieces of work within a gallery space is a delicate matter and can often be detrimental to its perception, and thus considerations on a works curation to ensure an enriching relationship between it and the audience, holds a particular significance.